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Strymon Deco Tape Saturation and Doubletracker Delay Pedal V2

Tape Saturation and Double-tracking Emulation Pedal with Classic/Cassette Voices and Sum/Invert/Bounce Types
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Strymon Deco Tape Saturation and Doubletracker Delay Pedal V2
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Incredibly Lifelike Tape Sounds with Enhanced Functionality

There's something undeniably special regarding the characteristic odd-order harmonic saturation and unpredictable artifacts that occur when using genuine magnetic tape. That said, channeling this vintage effect in a live setting and with any consistency was a near impossibility. With this in mind, Strymon set out to capture the beloved sound of 2-inch magnetic tape and store it inside an optimized, pedalboard-friendly product. The Deco Tape Saturation and Doubletracker delay pedal accomplishes this in strides, now available in a V2 version with additional controls and tonal flexibility for the most comprehensive and accurate tape emulator available today. The Deco splits its tape saturation and doubletracker functions into a pair of easy-to-follow sections with clearly labeled controls. On the Tape Saturation side, you get the Saturation and Volume knobs found in the previous version with an added Tone control for fine-tuning your sound. Strymon also included a 2-position Voice control with a new Cassette setting for some extra compression, unlocking an entirely new realm of sonic options for Deco users. Returning in the Doubletracker section are Lag Time, Blend, and Wobble controls, with a 3-position Type switch toggling between Sum, Invert, and Bounce settings. The massive range of exciting and inspiring tape tones of the original expands into the stratosphere with the Deco V2 pedal!

Two fully detailed tape deck emulations in one

It's impressive enough that Strymon managed to pack one high-definition tape machine emulation in the Deco pedal, let alone two of them. You don't have to dive deep to appreciate the quality of the Deco's processing; however, just roll up the Saturation control and bask in the warm glow of the harmonic overtones. Up to about 10 o'clock, the Saturation effect is subtle, introducing the nonlinear odd-order harmonics that make old-school engineers nostalgic for the days of 2-inch tape. Set the Saturation knob above 10 o'clock, and you achieve the effect of pushing the tape machine into the red. At 1 o'clock, the effect crosses over into lush and vibrant tape overdrive tailor-made for the pedalboard, and when you blend in the Doubletracker sound in one of three unique modes, the range of thickening effects is astounding.

Exciting new tone-shaping features abound

If the Deco V1's delectable tape tone wasn't enough, Strymon updated this already-fantastic design with several player-focused features and optimizations, providing enhanced flexibility while simplifying operation on the stage and in the studio. To start, a 2-position voice switch toggles between Classic and Cassette voicings, supplying the sound of the V1 along with a compressed and beefy cassette tape voicing complete with an auto level control. A Tone control makes it even easier to find that perfect tape saturation sound, taking you from dark and murky to shimmery and bright at the turn of a knob. Sweetwater players were happy to discover MIDI compatibility onboard the Deco V2, allowing you to control practically every setting via the EXP/MIDI jack as well as USB.

Under-the-hood improvements provide unparalleled performance

While the cosmetic and sonic improvements are easily seen, further inspection of the Deco V2 reveals several changes to its core for an even more premium playing experience. To start, Strymon loaded the Deco with a top-quality JFET input circuit. The result? Enhanced responsiveness, dynamics, and tailor-made feel for gigging performers and touring pros. Swapping between mono and stereo modes is as easy as flicking a rear-panel switch, with the option to now control the Deco via an expression pedal or MultiSwitch Plus. Perhaps best of all, a new ARM DSP chip significantly increases processing power while decreasing energy consumption for a clearer and more accurate tone.

Strymon Deco Tape Saturation and Doubletracker Delay Pedal V2 Features:

  • An effects pedal that emulates classic reel-to-reel tape saturation and effects
  • Variable tape saturation lets you dial in rich odd-order harmonics
  • 2-position switch swaps between Classic Deco voicing and compressed Cassette voicing
  • Tone control adjusts the effect's darkness or brightness
  • Doubletracker section provides thickening and classic tape effects
  • Adjust the Lag Time control for flanging, chorusing, and echo effects
  • Wobble control lets you add natural variance to the second tape deck speed
  • Auto-Flange, wide-stereo, filtering, and more available by depressing both switches
  • Take control of any parameter via standard expression pedal
  • Connect a footswitch to instantly recall your favorite preset
  • JFET input circuit enhances responsiveness, dynamics, and feel
  • Swap from mono to stereo and back via the rear-panel switch
  • ARM DSP chip significantly increases processing power
  • Durable aluminum chassis

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Tech Specs

  • Pedal Type: Tape Saturation/Doubletracker
  • Analog/Digital: Digital
  • Effects: Tape Saturation: Classic, Cassette ; Doubletracker: Sum, Invert, Bounce
  • Max Delay Time: 500ms
  • Inputs: 1 x 1/4" (mono/stereo)
  • Outputs: 2 x 1/4"
  • MIDI I/O: In/USB
  • Other I/O: 1 x 1/4" TRS (expression/MIDI)
  • USB: 1 x USB-C
  • True Bypass: Yes, switchable to Buffered
  • Power Source: 9V DC 300mA power supply (included)
  • Height: 1.75"
  • Width: 4"
  • Depth: 4.75"
  • Manufacturer Part Number: Z12A-DCO2-1

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Customer Reviews

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Rated 5/5

Tape Tricks with a pedal

it dose the fancy trick old rechording studioes did back in the day, like make a Chruncy sound more dirty (zeppelin)
or something crazy like the purple rain sound.

can even be kinda cool lead sound sometimes, or just a filter to make things a bit more round and warm
Music background: guitar hero
Rated 5/5

Ear candy

The left side is always on with the saturation between 1 and 4oclock depending on the pickups. It provides just a little extra boost and compression to drive whichever old Fender I'm plugged into. It's just pure ear candy. I've never had or thought I would want an always-on pedal, but here we are. It's part of my sound now.

I like the right side for slapback or a flanger depending on what I'm playing. It's not always on, but it's a nice thing to have at the ready when you need just a little more texture.

My board holds ten pedals at most, and that's by design. It forces me to be very thoughtful about what goes on there. I play a little bit of everything, so this board has to handle rock, pop, country, R&B, soul, and jazz.

The Deco isn't cheap and I went back and forth for months on whether I should splurge. It seems like a luxury, you don't really *need* any pedals IMO. A year later, I have zero buyer's remorse. If it were lost or stolen, I'd just have to get another one.
Music background: longtime player
Rated 5/5

The secret sauce

I recently purchased this pedal and it sits on the very end of my pedal board.
Love the old school sounds I can get out of it. It's like being in an old recording studio.
The slight overdrive from the left side makes a very cool compressed overdrive sound.
The right side gives me great studio sounding slapback,Zero Through Flanger,Chorus and really sounds fantastic in stereo. Thanks to Mike Wright will all his help with my purchase.
Rated 5/5

The Deco Decision

I value a pedal on frequency of use. My goal in purchasing this pedal was to thicken my single coil strat tone without distortion. The tape saturation side executes this to the point that it is pretty much an always on pedal for me now. I turn on the doubletracker side from time to time to play with the chorus and flange sounds. If you want delay, depend on a true delay pedal along with this one. Overall, to have an always on pedal to make my tone fatter, it is worth the expense.
Rated 5/5

versatile, subtle

If I could only have one pedal, it'd be a tuner. If I could only have two pedals, I'd own a tuner and a Deco. It's that good.

There are plenty of pedals that slap you in the face when you stomp on them. What this pedal excels at is adding color and texture to your whatever sound you're already working with. If that underlying sound is good, the Deco will sweeten it.

The saturation side will give you a nice compressed slightly dirty sound, or you can use it to push a tube amp over the edge. The classic/cassette switch gives you a couple of different voices, with the cassette voice being more distinctive. I think it makes the Deco V2 a worthwhile choice over the V1. It can get surprisingly crunchy if you turn the saturation knob up all the way. But it has a very different character from what you get with an overdrive or distortion pedal. I like to run if after an OD pedal for a nice transparent boost.

The doubletracker side will give you flange, chorus, slapback, and delay. You do have to pick one at a time. None of those settings are going to give you wild and crazy sounds, but all points on the dial are musical and usable. I particularly enjoy using it as a flanger with just a hint of modulation, it really makes my guitar sound 3D without being overtly processed.

If you're trying to cover all the sounds you hear on records, you'll need a collection of distortion, delay, and modulation pedals. If you're trying to forge your own sound, the Deco might be just what you're after.

If I had one criticism of the pedal, it'd be the lack of an easily adjustable modulation speed. Yes, you can put the pedal in settings mode and change the speed, but it's too complicated to do that on the fly. Some people describe this pedal as an "always on" pedal, and while I can see that the modulation effects can get a little stale if you overdo it. A dedicated speed knob would add a lot more variety.
Music background: been making music for 35 years now
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