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Small studio monitors are ideal for mixing, producing, and listening back to music in your home recording space. They don’t take up unnecessary room, but still provide crisp sound quality and adequate volume.
Thanks to the convenience of digital recording equipment, it’s possible to assemble a fully-functioning studio even in the most compact of spaces.
With a wide range of small studio monitors available, identifying the best-suited pair for your requirements may seem overwhelming. In this guide, we’ve carefully selected the standout options for all budgets.
What are the Best Small Studio Monitors?
How we tested
Our testing of these small studio monitors involved rating them based on some integral qualities. Firstly, we assessed their physical attributes, such as build quality, durability, and compactness.
We then put the sonic qualities of the small studio monitors to the test, by scrutinizing their accuracy, clarity in the low, midrange, and treble frequencies, and finally the headroom they provide at certain volumes. In the review below, you can find the monitors that impressed us the most.
Best Small Studio Monitor Reviews
Low-priced studio monitors tend to be hit and miss, with some over-coloring the natural sound of audio playback. Mackie’s CR3-X monitors produce a surprisingly accurate sound, which contradicts their affordability.
Mackie has a reputation for producing capable budget recording gear, and these small studio monitors provide further evidence of this. Physically, they’re sturdy and durable, thanks in large to the solid MDF enclosure which houses the inner components.
The frequency response of these monitors spans from 70Hz to 20kHz. While this doesn’t suit bass-heavy genres of music due to the lack of subfrequencies, the midrange and high-end output are perfect for most styles of popular music.
These compact studio monitors are just over 8 inches in height, with a width of 5.5 inches, which means they can be squeezed into the tightest of home recording spaces.
Furthermore, Mackie has installed a useful volume control and a headphone output on the front panel of these small monitor speakers. This makes it easy to adjust to the optimal loudness when mixing or listening back to recordings.
I personally continue to use these speakers in my small home studio, and the sound quality truly exceeds its price point. They can also go surprisingly loud!
The only issue I’ve faced is the speakers emit a faint hissing noise while turned on, but in truth, it’s only slightly evident when listening to music or writing music at very low volumes. Don’t let it deter you – these are fantastic for the price.
- 3-inch woofer and 0.75-inch tweeter
- 70Hz-20kHz frequency response
- 97dB max SPL
- Great for beginner mixing engineers/producers
- Easy to adjust the volume control
- Extremely affordable and compact
- Not ideal for bass-heavy audio
- A faint hissing noise is audible when listening to music at very low volumes
Avantone has emerged as a highly capable studio monitor manufacturer in recent years. Their popular MixCubes are unique in terms of their design, dimensions, and features.
These Avantone small studio monitors are designed to allow musicians and producers to hear an accurate representation of how their mixes will sound when listened to on common devices like computer speakers, phone speakers, or car stereos.
With an active design, the MixCubes have an inbuilt amplifier with 60 watts of power. This ensures that they don’t sap any power from your computer or laptop.
60 watts is enough power to provide a good amount of headroom so that you can check your mixes at relatively loud volumes. The slight reduction in bass frequencies is convenient if you don’t want to disturb other people when using your home recording studio.
Physically, Avantone has made robustness a priority when building these small studio monitors. They’re made from a combination of MDF and die-cast aluminum to promote longevity.
The height, width, and depth of the MixCubes are all identical at 6.5 inches, which makes for a convenient shape that easily fits into your compact studio set-up.
- 90Hz-17kHz frequency range
- 104dB maximum SPL
- 5.25-inch low frequency cone
- Realistic sound reproduction
- Onboard 50-watt amplifier
- Compact and conveniently sized
- Slightly lacking in low-end power
The HS series contains Yamaha’s best-known selection of studio monitors. The largest model in the range is the HS7, but those monitors are too bulky for compact studio spaces.
The Yamaha HS5 monitors boast many of the qualities of their larger counterparts but in a more practically sized enclosure. Perhaps the standout component in these monitors is the drivers, which are mounted using an innovative method that maximizes sonic clarity.
Also, Yamaha has gone a step further to prevent vibrational noises and unwanted resonance by tweaking the design of the mounting ring, which allows the speaker to do its thing with no risk of saturation.
All of the monitors in the HS series contain sizable magnets. Often overlooked in terms of their importance, these magnets impact the flux field which delivers a wide dynamic range, expansive tonality, and undeniable accuracy.
Finally, these mini studio monitors are designed to respond to any space that they are used. The “Room Control” and “High Trim” features allow you to tweak the output of the HS5 monitors to suit your acoustic environment.
- 5-inch woofer and 1-inch dome tweeter
- 54Hz-30kHz frequency range
- 70 watts total power
- Responds optimally to any environment
- Powerful low-end
- Low coloration and highly accurate sound
- Heavier than most small studio monitors
With their Eris E3.5 nearfield monitors, PreSonus once again proves that you don’t need to invest a large sum of money to enjoy accurate audio playback in a compact environment.
The combination of smooth-sounding silk dome tweeters, and woofers made from woven composite material results in a well-rounded output with minimal coloration.
A common complaint with affordable studio monitors for small spaces is that they make the audio sound better, which isn’t helpful if you want to mix and process accurately so that they translate well to other speakers.
However, PreSonus Eris E3.5 has managed to avoid this issue by using higher quality components that we’d expect to find with more costly monitors.
They also provide a good amount of headroom, which is largely down to the 50 watts of Class AB amplification. The maximum volume is adequate for nearfield mixing, without the risk of reaching potentially problematic levels.
A feature that is also noteworthy is the Acoustic Tuning Control, which allows you to tweak the EQ settings of the monitors to avoid problems that commonly occur in small spaces, like bass traps or resonant frequencies.
- 80Hz-20kHz frequency response
- 100 dB max SPL
- 3.5-inch woofer and 1-inch tweeter
- Minimal bass frequency distortion
- Adjustable acoustic tuning controls
- Auxiliary input for connecting external sound sources
- Auxiliary input for connecting external sound sources
If you require a high level of accuracy when mixing and listening back to your recordings, these JBL mini studio monitors are worth considering.
In a crowded marketplace, the JBL 305P MkII monitors stand out due to their wide variety of controls and features, which includes an Image Control Waveguide for optimizing stereo imaging and increasing the width of the sweet spot.
To ensure that the bass frequency output is consistent, JBL has installed their innovative Slip Stream port. This reduces the chance of playback sounding muddy, which can wreak havoc on your mixes if not addressed.
Additionally, there is a trim switch for instantly filtering out some of the higher frequencies from the monitor’s output. This feature makes it easier to focus on midrange and bass frequencies when using EQ or adding compression.
These are some of the smallest active speakers, and can therefore slot into a small space, but they offer more volume and headroom than the majority of similarly priced options. With 82 watts of customized Class D amplification, they can also be used in larger settings if required.
- 82 watts of Class D amplification
- Frequency response of 49Hz-20kHz
- High-frequency trim switch for acoustic adjustments
- Clear and powerful bass at all volumes
- Extensive sweet spot
- Advanced stereo imaging for accurate playback
- No aux input or headphone output
IK Multimedia are renowned for their unique, innovative audio-related products. With the iLoud Micro monitors, they have managed to blend practicality with professional-level sound quality.
Central to the impressive performance of these small studio monitors is their exceptional stereo imaging, which makes them suitable for mixing and processing any style of music.
Although they may be limited in terms of size, these monitors project bass frequencies with power and precision. This has been achieved by installing neodymium magnets to accompany the 3-inch, low-frequency drivers.
With a trio of EQ switches installed on the iLoud Micro monitors, you can quickly tailor the frequency output to suit the specifics of the space you’re in.
These small studio monitors are highly portable and mobile, making them a great choice for musicians or producers who often like to take their studio set up with them on their travels.
Finally, you can also use these monitors to stream audio from any Bluetooth device, which is useful for jamming along to backing tracks or using other music to reference your mixes.
- 3-inch low-frequency driver with 0.75-inch tweeter
- 45hZ-22kHz frequency response
- Max peak SPL of 104dB
- Compact and convenient design
- EQ controls for frequency adjustment
- Impressive stereo imaging
- Adds slight coloration to the high-end when played at loud volumes
Small Studio Monitors Buyer’s Guide
Size doesn’t always matter when it comes to sound quality and accuracy! Choosing a capable pair of monitors is especially important when you’re working with limited space available, as it’s common for mixes to translate differently to other environments.
Things to Consider When Buying:
- Determine the wattage you need: Portable studio monitors generally have a lower power handling than larger options. Higher wattage monitors offer more headroom, but this may be unnecessary in a compact space. It’s therefore important to decide on the ideal wattage you need.
- Identify the ideal dimensions: Before deciding on a pair of studio monitors, you should measure the space you have available. While all of the monitors featured in this article are smaller than average, there is some variation in their dimensions so measuring is essential if you want a perfect fit.
- Consider the frequency response: For most recording and mixing of audio, studio monitors with a frequency response of 50Hz-20kHz will suffice. However, if you produce bass-heavy music, it might be a better idea to opt for monitors which are capable of producing 20Hz.
- Think about the purpose of your studio monitors: If you plan to use your small studio monitors for the final mix of your recordings, it is probably worth investing in a high-end pair that is highly accurate. On the other hand, if you’re using them mainly for playback purposes, you may prefer to choose a less costly pair.
Identifying Your Ideal Small Studio Monitors
For many decades, studio monitors and speakers were huge, bulky devices that took up a significant portion of space in a recording studio.
As home studios have become the norm, manufacturers have downsized their monitors to make them more practically sized for compact environments.
This has resulted in an almost overwhelming number of options being available for musicians and producers.
Despite their small size, these monitors can still provide an impressive amount of power, tonal richness, and clarity.
If your music production setup is in a compact space, you’ll need to choose nearfield studio monitors. These aren’t suitable for open spaces, but in a small room, they will work perfectly.
It will also be better to choose active studio monitors, as, unlike passive models, they don’t require any additional components as they have internal amplifiers.
Measuring the exact space that you have available for your studio monitors is also advisable before you choose them.
Monitor stands take up a considerable amount of space, so it might be better to place the monitors on your desk.
The Importance of Accuracy
When someone describes studio monitors as sounding “good” or “great”, this doesn’t tell us anything about their capabilities. What we should be looking out for is how accurate they sound.
Small studio monitors are bound to be quieter and less powerful than their larger equivalents, but this doesn’t mean they can’t be as accurate.
Accuracy is determined by several factors. Firstly, some studio monitors have wider frequency responses than others, allowing them to project a broader range of sounds.
If a set of studio monitors adds too much coloration to the output, you won’t be hearing an accurate representation of your mixes or recordings.
Then, when you go to listen to your creations on other speakers, you might be left unpleasantly surprised by the way they sound completely different to how they did when you mixed them on your small studio monitors.
Although it isn’t always the case, oftentimes the more you’re willing to invest in studio monitors, the more accurate they will sound.
Affordable, budget monitors can be useful, but they will probably compensate for their less advanced design and components by coloring the sound.
Monitor Wattage and Distortion
These small studio monitors are unlikely to have as high wattages as larger models. However, the wattage is still worth paying attention to even with compact monitors.
The drivers that are installed within a studio monitor are powered by a specific amount of wattage. The higher the wattage, the more extensive the dynamic range of the monitors will be.
This means you can listen to audio through the monitors at a higher level, without distortion occurring.
If you’re positioned very close to the studio monitors, you probably won’t need to choose a set with a higher wattage, as turning up the volume will risk hearing damage anyway.
Additional Inputs and Outputs
Small studio monitors have less room for inputs and outputs, but some of them still include them.
It’s common to find headphone outputs on some small studio monitors, and this is useful if you want to listen to audio directly from the monitor.
You may also benefit from having an auxiliary input on your monitors, which means you can connect an external device like a smartphone directly to them to play music.
Small Studio Monitor FAQs
Can You Use Just One Studio Monitor?
Using one studio monitor is okay if you’re simply listening to music and aren’t overly concerned with the sound quality, but if you want to mix audio or use monitors for any form of music production it’s highly advisable to use an identical pair.
You’ll need two monitors to play or mix audio in stereo, and if you only have one you won’t be able to use techniques like panning or stereo imaging when producing music.
Does Room Size Matter for Studio Monitors?
The size of the room in which you use your studio monitors will have a significant impact on the way they sound. Generally, bigger monitors that can produce higher volumes should be used in large, open spaces.
Small, nearfield studio monitors will work perfectly in compact spaces, as they won’t need to reach exceedingly high volumes and will be more compatible with the acoustics of the room.
Should I Mix With Headphones or Studio Monitors?
Mixing with headphones and studio monitors both offers various advantages and drawbacks. The best method is to mix audio using a combination of both, but using studio monitors for the majority of the process.
When you mix in headphones, you don’t hear the audio in an acoustic environment, and this can make it hard to set the levels of each sound correctly. However, it is useful to check your mixes in headphones, as many people consume music with them these days.